PHILOSOPHY
M.F. is the result of a history that breathed the atmosphere of Europe drenched in the past, its museums and ancient works.
She has an exceptional sensitivity to portraits with a sinewy Nordic style almost like Dürer’s, especially with India inks where the stroke becomes the protagonist and stands out from the softness of the drawing, becoming an incisive and satisfied sign.
Her b/w stories reflect a love for the human body interpreted as an architectural construction in a prospective base of flat surfaces and volumes, and at the same time, that treads a dreamlike dimension, transfigured in a space between the ancestral and the surreal.